Sigmar Polke was one of the most insatiably experimental artists of the twentieth century. All level 5 students working on the materials project MUST visit this exhibition This retrospective is the first to bring together the unusually broad range of media he worked with during his five-decade career — not only painting, drawing, photography, film and sculpture, but also notebooks, slide projections and photocopies. He worked in off-the-wall materials ranging from meteor dust to gold, bubble wrap, snail juice, potatoes, soot and even uranium, all the while resisting easy categorisation. Polke’s relentlessly inventive works range in size from the intimacy of a notebook to monumental paintings. He took a wildly different approach to art-making, from his responses to consumer society in the 1960s to his interest in travel, drugs and communal living in the 1970s and his increasingly experimental practice after 1980. Beneath Polke’s irreverent wit, promiscuous intelli